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téâtrale téâtrales theatrical théâtrall
theatrical theatrical theatrical theatrall theatrical theatrical theater
hall theater all teatrhall teatre hall
The CANE and the stick have a particular place for a long time by the
man. It is true in a lot of countries, but also and can be especially,
in France. The CANE is an instrument of support, defense or parade,
an instrument of game, without speaking of the object of sartorial ornament
when the CANE is manufactured.
The branch pulled from the tree, it takes it at right angles in the
hand by the tip, you know, the one that was attached to the trunk.
And, when he/it finds well to his/her hand, well to his/her/its size,
he/it keeps it.
So is born... The Cane, she/it didn't yet know that she/it was called
thus. Ruffian, without education nor precise shape, without past, without
history but with a fabulous future, the one of his/her/its mate and
owner that she/it won't leave a step anymore.
Cannes of walk (walking sticks)
Accessories of elegance or orthopedic.
One day, seated in the sun, his/her/its Cane to his/her/its sides, the
man puts the hand on a stone. He/it takes it, explode it, browses of
the inch the cutting. Makes thus, he/it takes his/its Cane, approach
the tool of wood and size... vaguely... A motive draws itself, become
clearer, refine himself, becomes sculpture. His/her/its Cane is not
more anonymous, it has her/its personality...
BASTONI AND WALKING STICKS